|
|
SHAMANS |
|
|
|
|
|
Introduction |
|
|
Biography |
|
YOU ARE |
|
Enter Shamans |
|
|
Discoveries |
|
|
Farewells |
|
|
Synopsis |
|
Generations |
|
|
Prologue ix
05 Shamans of Old 72 06 The Apprentice 92 07 Discoveries 103 08 The Arrival of Spring 118 09 Šipa·puli·ma Found 131 10 Sacred Offerings 153 11 The Messenger 171 12 Zuñi Bound 189 13 Commemorations 209 14 Encounters 225 15 The Pilgrimage 246 16 Powerful Medicine 270 17 After the Fact 290 18 Synopsis of the Age of Reality 302 Shamans' Genealogy 309 "Dancing With Sunsets"
|
|
|
|
And speaking of this sacred place of healing, when you first cross the threshold of the San Damiano residence, there are three recessed glass-covered cases prominently placed in the brick wall. One of these embedded glass-covered cases, the largest one that is situated in the center of the brick-veneered wall, contains a large Bear Kachina, carved and decorated in what is often considered the Navajo style. The oldest Kachinas are usually all wood, painted in pastel colors and carved in a style that was established by the Hopi Indians. The Navajo, on the other hand, often decorated their carved images with real feathers, leather, and sometimes silver and turquoise jewelry to further enhance the carved images. Kachinas are too often mistaken to represent gods; they are carved images representing participants in many of the ceremonial dances of the Pueblo Indians. Traditionally the dancers themselves most often carve these Kachinas in order to visually represent some vital lesson about life, not too unlike the Greek gods of old (i.e.: Athena, the Greek goddess of wisdom). For example, one of the lessons accompanying the Bear Kachina is survival. A child is instructed that should they become lost in the wilderness and happen upon a bear, they should follow that bear at a safe distance. The bear must drink water every day, and man can eat whatever the bear eats. In other words, if one follows and imitates a bear in the wild, they are far more apt to survive. Shortly after I had moved into the nearly completed home in the late spring of 1986, I had paid a visit to The Turquoise Lady, a popular Southwestern specialty shop that occupied what is so well-known as the Old Town Plaza of Albuquerque. This shop specialized in the sale of authentic, Native-crafted and mostly carved Kachinas. The proprietor of the shop was a very kind lady by the name of Cathren Harris. I asked Cathren which of the Kachinas most represented the art of healing, and she proceeded to instruct me that there were essentially three principal characters that were each considered the “healers:” the Badger the Owl and the Bear. I later learned that some Pueblo Indians also consider the Mountain Ram as having healing powers, but I have not confirmed that to be factual as of yet. I quickly decided from all that I was told by Cathren that the White Bear, known by its Indian name as the Hon, was my Kachina of choice for some intuitive reason, and Cathren Harris then suggested that I might seriously consider purchasing one that had been carved by a member of the Jemez Pueblo named Johnny Burgess. She said that she had some good examples of his craftsmanship upstairs, and proceeded to take me up steep and old wooden stairs to a sort of a work area as well as a storage room. She actually had about six unusually large, beautifully carved cottonwood Kachinas, all appropriately decorated in the Navajo style with feathers and some silver and turquoise jewelry. They had all been previously commissioned by and were being held for a later delivery date for a northern New Mexico rancher, Albert Mitchell. Mr. Mitchell had special-ordered these Kachinas to be used as trophies at that year’s New Mexico State Fair rodeo. She cautiously added that it might be some time before Johnny Burgess would making any additional Kachinas, as he had recently become quite preoccupied with the politics of the Jemez Pueblo. In any case, I had decided then and there that this healing Bear Kachina was just what this Medicine Man of San Damiano had intuitively ordered, and I prepared myself for that unspecified wait. Several months passed, and I eventually received a phone call from Cathren Harris asking whether I still had interest in purchasing that Bear Kachina carved by Johnny Burgess. I didn’t hesitate to say, “You bet!” and immediately headed off for the Old Town Plaza to give her a modest deposit until I could come up with the full purchase price of $700. When I arrived, she proceeded to tell me the rest of the story. It seemed that shortly after she had initially shown me those Kachinas that had been sold to Albert Mitchell, there was a most tragic turn of events. Mr. Mitchell and one of his sons were flying down to Albuquerque specifically to retrieve the Kachinas. They were making this trip in their own private airplane when it crashed, killing both of them. Cathren waited for three or four months, what she had considered a respectable period of time, and when there was no apparent effort made by the surviving Mitchell family to retrieve the order, she decided to go ahead and let me have that original Bear Kachina, if I still wanted it. I thanked Cathren for having remembered that I specifically wanted to acquire that particular Bear, and I gave her my modest deposit with the stated assurance that I would have the remainder in very short order. It was within a week that I gathered the remainder due on the Bear Kachina and anxiously headed for Old Town. When I entered the shop, Cathren told me that Albert Mitchell’s wife had actually showed up in the meantime and picked up the initial order. Cathren explained that she had told Mitchell’s widow that she had no idea if the order was ever to be honored, and took it upon herself to sell one of the Kachinas to a gentleman that was particularly interested in having a Bear Kachina carved by Johnny Burgess. That most kind widow gave her after-the-fact approval and said that it presented absolutely no problem; she was only honoring her husband’s prior commitments, and the rodeo for which the Kachinas were initially intended had long since passed. I later learned that the widow died of cancer about six months after her husband. These very strange circumstances surrounding my ultimate acquisition of one of Johnny Burgess’ Bear Kachinas gave me serious pause, and it all mysteriously added to and reconfirmed for me that San Damiano was indeed “a mystical place of healing” that had a mind and direction of its own, and that I was, after all was said and done, only that consummate “caretaker” and possibly recipient of the spirit of that Bear Kachina. While I was still at the University of New Mexico, I was invited to a doctor’s home where we had been assembled specifically to discuss this new and devastating disease that was apparently affecting only gay men. I was the only non-medical professional present of the six individuals, and I am confidant that I was included simply because I was openly gay and affiliated with UNM at the time. This was in the latter part of 1983, and to our knowledge there was only one known case of this strange sickness in New Mexico-- a young man that had just returned from New York City to Santa Fe to be cared for by his family in his final “dying days.” The conclusion of our quite impromptu meeting was the conspicuous fact that we needed to take note of the seriousness of the situation and get ourselves into a ready-mode for what we all agreed was inevitably going to have a significant impact on New Mexico’s gay residents. What came out of this meeting was the groundwork for what is presently known as New Mexico AIDS Services (NMAS). While I had been working at the Student Health center, I received a call from a Dr. Perls who was at that time the head of the Psychiatric Residency Program at UNM Hospital. Dr. Perls asked if I would consider serving on a session of “grand rounds” at one of their regularly scheduled times. I immediately responded in the affirmative. There was a brief moment of silence, and then Dr. Perls continued and further reported that I was the tenth professional in the mental health field to whom he had made this special request, and that none of the other psychologists and psychiatrists had consented to participate. The subject of this particular grand rounds was the anticipated need to address particulars about needed “bed-side manners” when dealing with gays that may have contracted this new deadly disease. Dr. Perls went on to explain that the other gentlemen that he had contacted were known to him to also be gay, and he was quite flabbergasted that they still went out of their ways to remain “in their closets,” especially considering that they were all professionals. I later learned that Dr. Perls was the son of Dr. Fritz Perls, who is well known throughout the mental health field as the father of Gestalt therapy. And even more interesting, I had once attended a weekend seminar on counseling in Dallas where I felt honored to have actually met Fritz Perls personally. All of this unforeseen involvement with what eventually became know as the HIV/AIDS community lead me to become one of the first volunteer psychotherapists with the New Mexico AIDS Services. There existed in the very beginning of NMAS a “buddy” program under the name of Animas, which means soul or spirit in Spanish. To become part of this care-giving program (that had been a California creation) required several intensive training sessions that presented specific instructions to the proposed “buddies” as to how one might meet the various needs of these gay men that were dying at the beginning of this tragic epidemic. I went through this Animas program myself, and a most meaningful part of the program was the projected ideation of contracting the disease oneself, and just what one would do or how one might react should such a reality actually occur. I remember with such vividness deciding that if I should ever contract the disease, I would simply “live” until I was no longer able to have what we called a good “quality of life.” In the most simply terms, I would live life as normally as was possible, and when the quality of my life was seriously compromised by this awful disease, I would “walk off into the ocean and die,” in other words, unassisted suicide! I just didn’t want to waste away like so many of the earliest victims that didn’t have the benefit of the “cocktail” medications that were to be later discovered. Meanwhile, back at San Damiano, I had met a new potential romantic partner. He was a younger man that I had met through a personal ad that I had placed in what was then known as the “Pink Pages” of the Advocate, a gay rag sheet that was published in California and distributed to the gay community throughout the United States. Michael Castillion, who was residing in Key West, Florida at the time, responded to my ad. The geography of this response was rather convenient at that particular time, because my mother was visiting with my sister and wanted me to come to Fort Lauderdale to drive a car back to New Mexico for her. I made my courtesy visit to my sister’s, and upon departing drove down to Key West to pick up Michael and bring him back to New Mexico. It was pretty obvious from the beginning that Michael and I weren’t going to be a love-match. First off he smoked cigarettes, which he had not initially disclosed. I simply don’t like smoking, which was amongst a few other traits that Michael likewise failed to have disclosed! In any case, we did become exceptionally good friends, and he had, after all, really wanted to get away from that wilder gay lifestyle present in Key West and make a new start of things. It was one of those warm evenings in 1986 that I had, out of the blue, suggested to Michael that we might have a séance and make an earnest attempt to “contact” the strange entity that I felt was such an integral part of San Damiano from the very first time that I had set foot on its sacred ground. I suggested a séance for two specific reasons: First, my maternal grandmother, Jessie Eugenia Slaughter Little, had become involved in spiritualism when I was just a young child, and I had actually been to some of these Spiritualist séances quite early in my life. In fact, I had even attended a rather popular and well-known Spiritualist camp on Cassadaga Lake in Chautauqua County, New York known as Lily Dale when I was just 11 years old. So this idea of contacting departed spirits wasn’t at all foreign to me, even thought I am quite confident that the actual presence of a disembodied spirit is highly unlikely given the state of our current scientific knowledge. I do contend that there is some form of genetic memory that exists somewhere within those enormously elongated strands of the human DNA. When scientists finally unravel the full extent to which our DNA is a universal memory bank, they will likely discover a recorded history that extends far back into our mutually unique and shared existence and history, very possibly even before the introduction of the human being, as we all know it today. Secondly, Michael had been born and spent many of his early years in New Orleans, and we are all likely familiar with that most integral part of these Cajuns’ indigenous religious culture that certainly possesses a strong and intensely “departed spirits” ideology. Need I add anymore? It was early in the evening after the sun had fully set, leaving the house quite dark on this moonless night. San Damiano lies in an area where the lights of Albuquerque are blocked by the Sandia Mountains, and our particular subdivision has no annoying streetlights, permitting the night skies to be lit only by the moon and that marvelous multitude of stars. I placed one of my Navajo rugs in front of one of the three glass sliding doors in the large and then mostly empty grand room. The three adjacent doors were angled slightly from each other so that one looked out to the southeast (sort of in the direction of that discovered Meditation Rock), the central one faced directly south, and the remaining one looked in a southwestern direction. The Navajo rug was randomly placed in front of the glass sliding door that faced Meditation Rock. Just to add to the atmosphere and drama of the situation, I lit several wax candles and placed them on the rug, which was our only source of light. Michael and I sat at opposite ends of the Navajo rug and we simply remained quiet and waited for something to happen on its own. And after some period of time, something strange did eventually begin to transpire. Facing in a northeasterly direction, I began to experience the strangest intuitive feelings that something or someone was just outside and hovering towards the top of this door. There was this extraordinary sense of psychic heaviness in the atmosphere and I began to experience a feeling of unexplained dire sadness and loss that suspended itself over me and engulfed my whole upper body. I started crying with and in response to this “presence” that was just outside the door. I kept crying and crying and at the same time I mentally addressed this strange presence and asked why I was crying. I got no direct response to my psychic inquiry, but I had the distinct intuition that this spiritual presence was a Native American Shaman. What was confusing for me at that very instant was my definite impression that this was also the spirit of a woman. I had always pictured that men were the only ones to have ever practiced the craft of healing and spiritual counseling in that Native American tradition of Medicine practitioners, and this present experience clearly contradicted everything that I had previously known to be true. I continued crying profusely, and the atmosphere became so impelling that Michael left the house altogether, only to return some hours later when he felt assured that “the coast was clear.” This turned out to be only the first of several mystical and mental contacts with this initially very tearful and sad “Medicine Woman.” That most eventful and certainly unforgettable evening had made a most indelible impression on my psyche. It was definitely something that I had had no idea whatsoever was going to have occurred, and it was only later that I learned that there are no “Shamans” as such in the Western Hemisphere. Native Americans refer to their spiritual healers as Medicine Men; the word Shaman is European in origin and usage, and my being of that Anglo bent had translated this experience with this alternative word. It was at one of the Animas training sessions, held at the local Catholic campus of Pius X High School, where I first encountered Father Jerome Martinez y Alire. He was then assigned to the Chancery as one of the Bishop’s personal assistants, and Jerome also acted as the Catholic Church Diocese’s liaison to the ailing AIDS community. Father Jerome, since he wasn’t affiliated with any particular Catholic parish, resided at the rather large rectory of Albuquerque’s historical Old Town Plaza Catholic Church, first started in 1706 under the direction of Fray Manuel Moreno, a Franciscan priest who came to the village of Albuquerque with some 30 families from Bernalillo in 1704 or 1705. The church was originally named San Francisco Xavier by Don Francisco Cuervo y Valdez, who founded the village of Albuquerque. Just for your information, Albuquerque was named after the Viceroy of New Spain. The Duke of Albuquerque ordered that the titular saint of this church be changed to San Felipe Neri in honor of King Philip of Spain. At the time that Jerome was residing in the rectory, the pastor of the church was a Father Lambert Luna. One evening following one of our Animas training sessions, Father Jerome invited me back to the rectory to introduce me to his housemates and show me his modest living quarters. There were several other priests living there, and for whatever reason I was encouraged to share with them this mystifying story, as it stood at that point, of the then singularly known Shaman of San Damiano. Many of the priests of this southwestern part of the country are still part of the Order of Saint Frances. The foremost Catholic Church in New Mexico, and the original seat of this diocese, is situated in our capitol city of Santa Fe and is designated as the Cathedral of Saint Francis. An interesting fact is the full name of Santa Fe: La Ciudad de Santa Fe de San Francisco. So the fact that this particular story has as an integral part stemming from oral tradition, the name of the Mother Church of the Franciscans, San Damiano, was of some special fascination to the priests of the historic Franciscan church now known as the Church of San Felipe de Neri. As part of my story, I indicated that I wanted to hang a replica of the original cross that had miraculously remained in the inner nave of the ruined church of San Damiano, that Francesco had lovingly restored at the onset of establishing his religious order. After I had related my mystical experience, in which I specifically titled myself only as “the caretaker” of this home and the land on which it sat, they informed me that Saint Frances of Assisi was affectionately known as “The Caretaker” to many of his faithful followers. Father Lambert Luna was particularly taken with my unprompted accounts, and when I had finished my tale, he proceeded in a most sincere and reverent manner to offer a relic from his church to be hung at San Damiano until I could eventually procure the San Damiano cross. The priests also informed me that there were Catholics clerics in Italy somewhere near Assisi who were part of the Franciscan Order that had dedicated themselves to the replication of the “Cross of San Damiano” to the identical specifications of the original, which was more of a Renaissance style inspired painting of a living Jesus on the cross with his eyes opened rather than that of some typical crucifix usually bearing the dead body of Jesus with his head hanging downward and eyes closed. One of the more dramatically illustrated and pivotal revelations dramatized in Zeffirelli’s historically based movie about the early life of Saint Francis, Brother Sun, Sister Moon, was the focalized depiction of the opened eyes of the crucified Jesus. As modest as I am, I just couldn’t see fit to accept some sacred relic from the Old Town Plaza Church. First of all, I wasn’t Catholic, and I had never had any significant affiliation with the Church except my friendly and close association with Father Jerome. I was seriously taken with and certainly flattered by this spontaneous and generous offer, thought, and to sort of bow out gracefully, I offered to cook a Cuban dinner for Father Luna and the others and share my San Damiano sanctuary, if for no other reason than to see if they still had the same impression after actually visiting the site. I inquired with one last curious point of concern as to whether it might have seemed a bit offensive for someone outside the Church to have assigned the name of “San Damiano” to a “non-Catholic, non-religious and essentially secular home?” The priests unanimously assured me that I had done no wrong and that taking the name of San Damiano should offend no one. Having been reassured of my not violating any spiritual protocol of the Catholic Church, I rather tentatively suggested that I would possibly accept their kind offer of that religious relic at the Cuban dinner, but that proposed dinner never manifested itself—I just didn’t follow up on either of our generous offers. Coincidentally, this very special and old historic Catholic Church just happens to be situated across the Old Town Plaza from The Turquoise Lady, where I had acquired that very unique and special Bear Kachina created by the Jemez Indian named Johnny Burgess. It was at just about this time that this deadly disease, Acquired ImmunoDeficiency Syndrome (AIDS), was finally identified as being caused by the virus “HIV,” an appropriate acronym for Human Immunodeficiency Virus. An activist group of concerned professionals obtained an educational grant from the Federal government to present a comprehensive seminar throughout the country about AIDS, and it was initially proposed to make this distinctive and timely presentation in 12 different cities from coast to coast. Naturally the larger cities that had immense populations of infected gays were targeted first, and for some undisclosed and certainly welcomed reason our own modest southwest community also got incorporated into this limited group of proposed sites. Our own weekend presentation of this HIV/AIDS program took place in one of Albuquerque’s newer hotels and meeting centers called the “Pyramid,” just north of town on I-25 in the direction of Santa Fe. The program covered almost every known aspect of this disease, and one of the most unusual and certainly popular of the various offerings was a presentation by a Native American Medicine Man. I remember everyone who could possibly attend this particular session crammed themselves into the small meeting room. I would guess that there were possibly 120 individuals in a room that was supposed to only comfortably hold 100. The Land of Enchantment gets so much of its aura of spirituality and mystique from the rather large representation of indigenous populations of Native Americans, particularly the Pueblo Indians with their fascinating seasonal ceremonies. This Native Medicine Man proceeded to explain how mankind has methodologically mistreated and abused our lovely Mother Earth, and has, by seriously over-taxing its natural resources, caused a grave imbalance in nature; when this occurs to such an extreme, it naturally incurs dire consequences for all. He felt that this raging epidemic of AIDS was just one of the many tragic symptoms of our unwarranted exploitation of the environment, which at that time for no apparent reason only affected a particular portion of the human inhabitants of this earth: Africans in general and gay men in much of the rest of the world. His suggested and articulated answer to this ominous problem was a much-needed return to a more balanced and humane treatment of not only the physical and ecological earth itself but also of its varied inhabitants; equal respect for nature as well as the varied human inhabitants is considered most essential for universal balance. At the conclusion of his presentation, this warm and loving Medicine Man explained that he had come prepared to perform a special ceremony for which he required a willing volunteer from the audience. Of the some 120 attendees in the room, there must have been at least a 140 anxious hands raised, indicating everyone’s eagerness to participate. At the very instant of his announcement of needing a volunteer, I already had an intuitive sense that I was going to be the willing victim, and without any ado or even the slightest hesitation I was immediately selected from where I was seated in the fourth row. I was asked to take a seat with my back to the rest of the audience, and this Medicine Man explained to those present that before he could continue with the formal procedure, the appointed initiate was to have some pertinent instructions. He expressed that these special “instructions” came from “the Bear,” and the very essence of these directives was to, “Always practice your own medicine.” I remember being rather pleasantly astonished with a feeling of déjà vu; first that it was the Bear that had been invoked to postulate these pertinent instructions, and that the Bear’s very specific instructions were so precisely analogous to what I had always preached to Terry Brown concerning his fascination and obsession with Native American traditions and wanting to “practice” their sacred rituals. I was instantly drawn into the whole quintessence of what was about to take place, and intuitively knew with absolute confidence that this very special event that was about to transpire had been a preordained happening just waiting for that appointed time and place to occur. After those meaningful instructions from the Bear, the Medicine Man went over to the side of the room to retrieve something, and when he returned I recognized that he had in his possession an animal-skin Medicine Bag. He proceeded to explain that he was about to perform “an initiation” of a Medicine Man, which I had always been led to believe was a ceremony reserved for Native American eyes only. Since I was that elected candidate and certainly the predestined initiate, I assumed that what was going to be taking place would have some special meaning known only to me. I have no doubt that this very spiritual man came to this conference knowing that an appropriate individual would be in that audience. I had once refused Terry’s more than kind offer to buy me my own Medicine Bag, and now I was to actually receive one in the only truly justifiable manner. Coming from an authentic and practicing Medicine Man, I had absolutely no further objections to receiving one; it was as though I had had a subliminal expectation that this extraordinary and singular event was going to eventually happen. For me it was more of a confirmation than an initiation. The ceremony was essentially the meticulous placement into this Medicine Bag of the essential elements that were necessary for an initiated Medicine Man to be empowered to perform his healing arts. Amongst the elements there was a bit of stone that represented the earth’s basic mineral elements, a feather that represented the air and potential loftiness of the human spirit, a small bit of tied grass that represented plant life that supports our own existence, a piece of shell that signified the water from which it had originated, a piece of crystal that vicariously represented the spiritual/metaphysical nature of man and the universe, a piece of turquoise that symbolizes the richness of life, and I later added a gold band to represent the “fifth element” of eternal love. I may have altered slightly the exact explanation that this lovely Medicine Man had initially imparted, but all of these aforementioned items still remain in the bag to this date and have come to mean to me what I have just shared with you. After all, it’s now my medicine, and we are all empowered by those very things that we have come to know as the truth and true essential nature of our inner being.
Patrina arrived in the late morning on that very next Saturday and we immediately retired to the master bedroom, where we seated ourselves in front of the fireplace to catch up on recent as well as not so recent events. When she had questioned as to just what I had been up to most recently, I shared with her those unusual experiences and that most unexpected yet welcomed initiation the previous weekend while attending the HIV/AIDS seminar at the Pyramid. I shared all the details with her, and to my pleasant astonishment she then reported what had vicariously taken place within her own world on that very same day. Patrina said that she had called into the office that last Saturday morning and cancelled all of her client appointments. Patrina then told her son that she would probably be out most of the day, and proceeded to intuitively drive her car to the foothills of the Organ Mountains just east of Las Cruces where she had, just by chance, picked up a piece of rock that she had been particularly drawn to. She then drove down to the Rio Grande River where she spent some time meditating on a patch of grass. While sitting there near the water, she heard a bit of rustling in the underbrush. When she inspected to see what had made the noise, she found a feather that she also intuitively retrieved. Patrina and I concluded that there must have been some sort of spiritual connection between the two of us on that eventful day, since her intuitive gathering of those several items seemed to have so paralleled my own initiation as a Medicine Man some 240 miles to the north. At that time we hadn’t seen each other in over four years, and it was certainly most uncanny that we both were either drawn back or lead to those most basic of all elements at almost the precise time of the same day; what a wonderful and mysterious coincidence! Another bit of pertinent trivia: the name of my mystical setting in the foothills of the Sandia Mountains. You may remember that I had become involved with Terry Brown at the beginning of the construction of San Damiano. Well, on one of those trips back to the D.C. area, Terry had shared with a long-time friend of his the essence of my story of San Damiano and just how I had come by this melodic name by having watched the movie, Brother Sun, Sister Moon. His friend, as it turned out, had been an English actor who had retired to the D.C. area to live with a sister that had previously migrated to the United States some years earlier. This actor friend of Terry’s had grown up in the theater with Alec Guinness and had even roomed with him early on in their acting careers while living in London. It was Alec Guinness who had so dramatically portrayed the role of Pope Innocent III, the Catholic Pope that had blessed Saint Francis and thus empowered him to establish his religious order. It wasn't too long after the construction of San Damiano was completed that Terry contacted me and said that his friend had died and that he bequeathed $50 in his will to cover the cost of planting a tree at San Damiano in memory of his life-long actor friend, Alec Guinness. An oak tree was purchased to fulfill this thoughtful request and planted at San Damiano--apparently in a rather rocky and inhabitable location because it eventually died for lack of establishing a sufficient root system. It was later replaced as well as intentionally relocated to another more prominent location where a most generous supply of rich topsoil was added to improve the tree’s chances for survival. An oak was specifically chosen for its character of strength and endurance as well as the fact that several varieties of oak are indigenous to the Sandia Mountains. My mother once told me that if I ever felt depressed and sensed a lack of energy, “Find an old oak tree and lean up against it. They’re just full of energy and you’ll be able to draw upon it and very aptly restore your well-being.” While I was still involved as a volunteer at NMAS in 1985/86, there was a test finally developed that detected for the presence of HIV antibodies in the blood, and it became the expressed policy of the New Mexico AIDS Services to try and encourage everyone that might be at any risk of contracting the disease to participate in what was then designed as an anonymous testing program. This testing, which required drawing a sample of one’s blood, initially operated out of the offices of the New Mexico AIDS Services. George Kelly, a rather brief romantic liaison, joined me in participating in this testing program and much to our mutual surprise I tested positive on the initial testing. George tested positive as well, and we were both quite shocked at the unexpected outcome since neither of us had been practicing what were then considered the most vulnerable types of sexual encounters that were thought to account for the vast majority of HIV infections. Having already rehearsed my projected response to such startling news as part of my Animas “buddy-support” trainings, I don’t believe that the initial hearing of the results had quite the same dramatic impact on me as it definitely had for George. It certainly wasn’t welcomed news in either case. Because I had already decided to simply go on “living until I died,” I didn’t share this bit of disquieting information with anyone except for Ellen Raimer. I felt that since she was a medical doctor, she could probably handle this “medical” information dispassionately without it affecting our otherwise close relationship. I had already experienced far too many individuals taking on that most tragic role of victim; their whole lives becoming centered exclusively on the diseases associated with HIV/AIDS. Their then evitable deaths, in those tragic times and when AIDS had such an awfully ugly face placed on it, only added to the overall drama of life as victim. As for me, I wanted to continue living as though nothing had changed, in the usual manner that appeared as normal as possible, and I did just that in every portion of my life. I didn’t share this then potentially tragic news with anyone outside my immediate family because I just didn’t want the existing nature of any of my relationships to change. One of my initial responses to the awful knowledge that I had been infected with this deadly HIV virus was a self-prescribed visualization program. I had had a number of classes in my academic counseling program that prescribed this self-help approach for any number of specified conditions, in conjunction with various therapeutic modalities. As for my own particular approach, I would picture myself sitting on Meditation Rock and watch my own natural defenses set into motion, fending off this destructive virus successfully. Because I fully understood and had always most strongly supported Gandhi’s position of “passive resistance,” I never approached this mode of visualization in an aggressive or even assertive manner; I sort of saw myself as only giving that needed permission to the immune properties of my own body’s natural defense system to ward off and resist the potentially awful effects of this dreaded disease, and in the process, not forge any attempt to unduly agitate this most unwanted virus in any fashion. It was sometime in the latter part of 1988 that I visited my ailing mother in Deming while she had been hospitalized with what turned out later to be a fatal case of pneumonia. The Deming hospital had simply failed to diagnose her lung x-rays properly, and going undetected, her pneumonia unfortunately progressed totally unchecked to the point that she never did fully recover. My otherwise healthy mother had probably contracted this particular strain of pneumonia just several months prior, while in an operation room during a rather routine anal aneurysm procedure. In effect, she was then dying. On this particular occasion of visiting my mother in the Deming Hospital, she sat up in bed and proclaimed in a very affirmative manner, “Don’t let this thing ( HIV) get you down. You’re not going to die from it.” She then went on to ask me if I knew the “one Commandment that carried with it a promise?” I couldn’t recall at that given moment, and like so many other professed Christians I always considered those noxious Ten Commandments as a precise list of divinely proclaimed prohibitions; “Don’t do this, don’t do that, thou shall not, etc.” My mother went on to paraphrase that “one: Commandment: “Honor thy mother and father, so that thy years upon this earth shall be long.” Affirmatively, she went on to vehemently proclaim that I had indeed always honored both of my parents, most particularly her, and for that very reason alone I had absolutely nothing to fear from this dreadful disease. “You’re going to live a long time, as promised.” I still get tears in my eyes every time I share this story with anyone. Little did she know! Despite the unyielding faith expressed by my mother, I still felt that my days were probably numbered. After all, everyone else that I knew that had contracted that terrible disease was either dead or in some advanced stage of dying. It was towards the end of January 1989 that I decided to leave Cedar Crest and my most-beloved San Damiano. I sincerely thought I was leaving not only the home but also my life as I had known it. My projection at that time of my perceived imminent demise was that I would go to Mendocino, California and spend the remainder of my limited days on earth just recording my various memoirs. I had an exceptionally close friend from junior high back in Miami, Denis Henn, who then had a rather comfortable vacation home just outside Mendocino. Denis had once generously offered me its unlimited use anytime I might want or have the need to get away. The only thing that really bothered me about my rather impetuous decision was some nagging unfinished business that had to do with that disembodied Medicine Woman that haunted San Damiano, but the writing of her story wasn’t on my agenda at that time. With only a couple of brief experiences at making some informative connections with this spiritual entity, I did learn a little more about the identity and ultimate purpose that this Medicine Woman had in mind for me. She was a Native American who had become a noteworthy Medicine Woman of her time as the direct result of a lifetime association with a powerful Medicine Man. This Medicine Man had prophetically provided for her the ultimate source of what was to become her strongest medicine, which she gratefully and routinely employed during the last ten years of her modest but fruitful life. She was so appreciative for this Medicine Man’s loving gift that she felt eternally committed to having his life’s story told. Because of my own life-long encounters with spiritual healing, and my having a loving nature that has been persistently manifested through service to others, this earthbound spirit had recruited what modest talents I might possess to record and publish this story. When I had inquired as to this woman’s name, it was only initially disclosed that the “Christian” name that had been assigned to her by a Catholic priest was Raquel (Rachel to my own interpretation), taken from the Lamentations of Rachel in the 18th verse of the second chapter of Matthew. The idea of my untimely departure from the living before I had in any way honored this Raquel’s most compassionate request left me with distinctively anxious feelings of possibly leaving behind some important and pressing “unfinished business.” But those nagging thoughts and feelings of guilt didn’t take precedence over the more pressing issue of my health and my then perceived imminent mortality. Well, I didn’t have to worry too long. On my way to Mendocino, I stopped off in San Francisco to visit with George Kelley, who had moved there from Albuquerque just one year prior. It was my second day in the city when my Toyota pickup’s camper shell was broken into and all of my earthly belongings that I had brought with me for my “final departure” had been stolen with the singular exception of my computer. I was fortunate to have left those sacred items like the medicine bag back at San Damiano where I believed that they belonged. I had to remain for some time in the San Francisco area so that I could deal with all that menacing red tape of settling with the insurance company, and during that chaotic period of time I decided to take a small apartment and accomplish my writing in the Bay area. I wasn’t even completely settled in that small studio apartment just off Army Street before I received a call from my sister, Barbara Good, informing me that our mother had just died on April 5. Barbara explained that she would attend the funeral services in Miami on my behalf, and that I could join her in Deming for the “second” funeral and mother’s internment on the 15th of the month. While waiting to depart San Francisco, I met John Howell on the 10th of April and made one of those instantaneous connections. We immediately had gold wedding bands engraved that very night and exchanged them at the Moonraker Restaurant in Pacifica, overlooking the Pacific Ocean. John even joined me in New Mexico just following my mother’s funeral in Deming. Of an amusing note: when John called his mother in Indiana to inform her about his new boyfriend, she caringly suggested, “You don’t even know this man. He might take you off in the New Mexico desert and kill you!” To which John replied, “Well, Mom, here’s his telephone number in Albuquerque just in case you should want to reach me and find out if I’m OK.” John and I mutually decided to give our newfound relationship a try while remaining in San Francisco, and we ended up living in a Twin Peaks area apartment that had a great view of the downtown area as well as the Bay Bridge. It was there that I reintroduced myself to the wonderful world of orchids and bought a modest number from both the well-known San Francisco Flower Market and a couple of orchid dealers in the Bay area. We fell short of finishing our year’s lease because of the extremely high costs of both renting and feeding ourselves. And, after all, I already had this beautiful home that I had so serendipitously abandoned back in the Land of Enchantment. Fortunately, my family hadn’t sold off San Damiano as I had intended upon my initial departure. I still hadn’t fully abandoned the notion that I was probably going to be dead in short order and thus, my personal and romantic commitment to John was to sort of to enjoy what time I had left with a wonderful man that I highly respected for his artistic talents, accompanied by the fact that he didn’t smoke and lead a totally non-substance abuse lifestyle--a most exceptional find in the gay community! And of course, the real concentration for that period of time, then imagined to be rather short in nature, was the total enjoyment of my childhood passion for orchids, and one purchase simply led to another. To my astonishment I wasn’t getting sick at all, and there were no obvious signs that my health was failing in any manner. I had focused most of my attentions on the orchids as an appropriate “swan song” to my life, and before I knew it, I was getting quite overly involved with the American Orchid Society (AOS), and this is where that final passion was joined with the company of the most beautiful soul, Diann O’Neill. Diann and I had met at the New Mexico Orchid Society after I had been encouraged to attend by a young man that I had met while shopping for orchids at a nursery in Santa Fe. Even though I initially had no intentions of becoming involved, after meeting this rather enthusiastic individual with purple hair, I let my guard down and got extremely involved with the local society. Diann was so full of piss and vinegar, and came across as so totally sincere in her love for orchids, that I decided under her caring leadership it would probably be quite safe to get involved with an organization that I had once been seriously warned to avoid. Together we became an unbeatable team, and very soon thereafter totally preoccupied with the student-judging program; we started showing orchids and we even won an unprecedented number of show trophies. The resultant association with the American Orchid Society turned out to be a most unexpected and terribly horrific experience, a I have previously alluded to and expanded on in my trilogy, The Orchid Hell Chronicles. The first book of this trilogy, Unwritten Rules: A Factual Case of White-Collar Bigotry, begins with the line: “This literary piece could no doubt qualify for the Guinness Book of Records as the longest suicide note ever written.” One of the more interesting aspects of this rather emotionally disruptive AOS connection was the name of “San Damiano.” ”San Damiano” had most fortuitously and routinely been given as the “clonal” name of choice to the some 70 or so awarded plants that had received recognition from the AOS during my rather brief and tumultuous tenure. An individual “clonal” name is assigned to a specific singular plant, usually an awarded plant, in order to distinguish it from other siblings of the same hybrid. I had personally helped in the organization of a new group of orchid enthusiasts that was to be a viable alternative to the local AOS society. One of the first meetings of this new orchid group was held at John’s place of business, Uptown Framing and Fine Art Studio, in the summer of 1994. One time I was casually browsing through one of John’s art print catalogues when I had come across the very print that is now the source of this book’s cover. John had always made it a point to show me anything in his catalogues that had to do with orchids, but in this particular case he had assumed, in light of the fact that I am usually a purist in the matter of orchids, that I probably wouldn’t be at all interested in a print of a Native Indian pictured with an unconventional long-stemmed Cymbidium flower. First off, why select a “Chinese” orchid to have superimposed over an “American” Native Indian, and secondly, Cymbidiums just don’t grow that way naturally. I had not ever really told John the entire story of the Shamans of San Damiano and just how meaningful this story was to me, so there was no way that he would have appreciated the dramatic impact of the unusual imagery of this print by Lawrence W. Lee. After the excitement of my discovery, John ordered several copies of the print from the Joan Cawley Gallery and framed one of them that has, ever since that time, hung beneath the skylight at the end of the main hallway; its rightful place is central to the whole household. I am pleasantly reminded, on a daily basis, of this unique and inspiring story every time I’m on the way to the master bedroom. The Native Indian fortunately appears so androgynous that I have always imagined that the image is that of the Medicine Woman of San Damiano. This imagined Raquel with her singular long-stemmed Cymbidium orchid is a reassuring sight, even in the most troubled of times. From the time that this print was first hung, I had the greatest desire to meet with the artist and inquire as to where he had come up with his rather unconventional concept for this particular painting. A good friend of ours and another well-known southwest artist, Pat Dalton, had once shared with me that he had met Lawrence at a perennial artist event, Indian Market, which is held in Santa Fe each fall. I expressed my particular interest in meeting this man and even fantasized that perhaps one day I might acquire the original to hang in place of the print. Several years passed, and I never seemed to have been able to make it to another Indian Market ever since John’s tainted participation in a framing competition in August of ‘92. What ultimately triggered my writing this book--that awakening call from Ellen Raimer--also got me off my duff, and I went on the web that same day to try and finally connect with Lawrence W. Lee. It didn’t take me more than a few minuets to find what I thought might be a likely e-mail address, and I immediately sent off the following: (7/17/2001,
8:29 PM) I got this e-mail address from "google.com"
search. I would like very much to contact Lawrence Lee, by whom
I have a very special print--especially to me. It is an androgynous
Indian (Tribe?) with a single (long-stem) orchid in front. I
have used the image as an icon on my "orchid website"
(non-commercial) as a link to a section about a book which I have recent
begun to write. "The Shamans of San Damiano" Check out http://SanDamiano.net I would like to talk with Mr. Lee about the use
of this image as a book cover? I live in Cedar Crest---about 40 miles south of
Santa Fe and a good friend, Pat Dalton (Another fine artist) sez that he
has met Lawrence at Indian Market on several occasions. I have
intended to attend Indian Market for the past several years and each
of those years something
has prevented me.... I'm wondering if this "lawrence"
portion of the e-mail address means that this will reach Lawrence Lee????
The story that I am about to write is very interesting and the combination
of an Asian orchid and an American Indian is particularly
interesting........... If this reaches YOU, Lawrence, I really
would be honored to talk to you........ My dime if you will
provide me with a telephone number???? Joe
Walker
I sent this email that very evening of July 17th with
the hopes that someone would receive it that would at least be able to put
me in touch with Lawrence. Low and behold, the very next morning I was very pleasantly
surprised to receive: (7/18/2001,
8:38 AM) Joseph, Lawrence Lee’s unexpectedly prompt response was just the magical catalyst I needed to get my butt in gear; it was a sign that gave me the green light to finally start writing a book for which a cover had been so serendipitously designed many years before its ultimate purpose was actually realized. There were several other significant events in those times just before the initial recording of this book that further confirmed some of the story’s unusual mythology that if shared with you at this point would likely distract you. I have simply and consciously chosen to place them more appropriately at the end as “ the rest of the story.” Don’t peek! The actual storyline of those wonderful Shamans (actually, Medicine Men) that reportedly lived during the 18th and 19th Centuries came to me in little imaginative vignettes between 1984 and the end the 20th Century. I have chosen to share them with you in their continuous entirety as a complete narrative in and of itself. What I have shared with you so far is autobiographical, in every case factual, and shared with you as only an integral backdrop for the more fascinating tale of these spiritual Zuni Medicine Men of the 19th Century. I feel that it has had a most definite relevance to the chronicle of these earlier Medicine Men (and Woman) and particularly to the central figures: The Zuni Medicine Man, Kiasiwa (José); and the Medicine Woman known by her Christian name of Raquel. Just a trivial and personal note: Raquel is the Spanish translation of “Rachel” and I have, before the initiation of this writing, usually related this story in an oral fashion using the English version of Rachel. (Being of the movie generation that I am, the name “Raquel,” unfortunately for me, only conjures the image of a rather well-know bosomy Hollywood actress, Raquel Welsh). Even though I have remained technically and historically correct with the use of “Raquel,” this most fascinating woman will always remain in my own loving memory by the name, Rachel. And now for the rest of this story of life, love, hope, and the never-ending search for the truth: |
|
I awoke with the rising of the sun on the first day of February in the new millennium. I remember having been intellectually, emotionally, and spiritually excited because I had just experienced a rather stirring dream in which it finally became clear to me the parallels between the perceived reality of this intriguing story and my own particular and hopefully enlightened view of the world. I have never placed myself in the ideological position that would allow for what I consider to being a naïve acceptance of the intentionally contrived and certainly unsubstantiated fantasies of so many who all too enthusiastically delve into the world of metaphysics and believe in some ridiculous form of an afterlife for which there is no realistic evidence. I was repeatedly relating in a traditional oral fashion this strange story of my pseudo communications with some semi-ghostly figure of a Medicine Woman that had apparently bound herself to the very land where my most beloved San Damiano was so prophetically situated. This intellectually perceived and certainly realistic incoherence, and my stubborn refusal to compromise, were responsible in large part for my not having commenced writing this tale any sooner. But now the floodgates had opened wide, not that there was some sort of potential torrential flood as the rather succinct length of this book so testifies. My sister says that we share the same modus operandi, in that neither of us go out of our way to employ more words than are actually necessary to relate any given anecdote. So I might just inform you that there is probably far more that could have been said/added just to enlarge this story that I will simply leave to your own imagination and creation. In the dramatically revealing dream that I refer to above, I had imagined myself positioned on the front end and center of a balcony in a theater setting; theaters just don’t have these balconies today, so apparently this was an older theater setting, probably from my own childhood. In fact, I have even been in that famous theater, The Roxy in Atlanta, where Gone With the Wind was premiered in 1947. In this dream, there was initially an indistinguishable speaker on the stage, standing behind a dark-colored podium designed for one speaker, and this rather imposing figure had the crowded audience entirely mesmerized and fixated. Upon closer examination, I discovered to my astonishment that this compelling speaker was none other than that of Raquel, my imaginary spiritual Medicine Woman of San Damiano. In this emotionally wrenching early morning dream, I had become most intellectually as well as emotionally agitated at her apparently realistic as well as certainly commanding charismatic presence, and mentally challenged on just how it was possible for a woman who possibly never existed, or at the very least, had been dead for over 140 years, to suddenly appear in person in such a convincing and realistic form. In this dream state the answer came to me almost immediately, and was accompanied with the most profound feeling of authority, “Why? Don’t you understand? You are the anointed and consummate projector.” I had the feeling that this God, that I also don’t believe in, had spoken to me and explained the deeper meaning of reality, a reality that I had not previously considered. Much of the rest of this story that I am about to share with you came to me in bits and pieces, usually while I was sitting in my hot tub off of my bedroom at San Damiano. My creative imagination would all too often wonder off to the subject matter of Raquel and this rather mystifying tale, and I would always seem to have some pertinent question of fact or need for further clarification on some previously revealed bit of information. It seemed that every time I had proposed a question in my mind, I would intuitively get the answer. Nothing that I learned from these impromptus exchanges ever seemed unrealistic to me; in fact, everything that was so mysteriously revealed to me over time was later confirmed by various authoritative sources. There were images in my mind of an interesting range of characters and sometimes I avoided asking for their actual names, knowing full well that I probably wouldn’t even understand their strange language. One case in particular was the name of the Medicine Man that had shared so much of his life and healing skills with Raquel, whom I had initially thought would be the central figure of this story. As it turned out, he had also been given a Christian name and when I learned that it was José (Spanish for Joseph—my name), this only gave greater rise to my already mounting anxiety about writing this story. I suppose that I had always known this bit of fact, but avoided inquiring and so confirming it most likely because I didn’t want this story to have the appearance of some sort of unconscious projection of my own ego. But of course, the reality is that Joseph is a very common name and not at all unusual as a given Christian name. It has always been my consummate resolve to demonstrate and deal with only the truth, the whole truth, and nothing but the truth, and that resolve helped me get past this personal and ego-based blockage. There is no question that the progressive theology of these 19th Century characters is in total sync with my own take of the universe, and I was hesitant to tell a story about other characters that were too closely akin to my own personality. This additional concern was softened by my dream, as I understood that being the “projector” meant that what was to be shared had to come from my own understanding of our mysterious world. If there is some form of ultimate reality, then what is true for me should have been true for anybody, whether they lived sometime in the past, are present in this world today, or perhaps haven’t even been born. These unusual characters courageously dared to explore beyond the socially, politically, and spiritually limiting confines of their own tight-knit worlds, and on some level, I have seen that as my own struggle or perhaps reaching for the stars. And now, with all of this having been said and done, I want to take you on a mystical journey that began somewhere before the latter days of the 18th Century, in that most intriguing and mesmerizing Land of Enchantment…
|